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COMMITTED TO CONSTANT IMPROVEMENT


At GSI we’re committed to constantly improving our products. The implementation of Biaxial Fiberglass has significantly improved the performance of our boards constructed from PE, SLX and FutureFlex technologies. Biaxial fiberglass is used on the decks of our boards making them lighter and stronger.

Biaxial fiberglass is essentially two separate layers of flat fibers woven together. The faint lines you see running from nose-to-tail on the decks of our boards is the stitching that holds these two layers together. The fibers in Biaxial Fiberglass are oriented at 45 degrees, compared to traditional fiberglass weave that’s oriented at 90 degrees.

What are the advantages if using Biaxial Fiberglass?
Increased Strength
The increased surface area of the flat fibers in Biaxial Fiberglass significantly enhances the bond between the fiberglass and foam. This high level of adhesion produces a stronger deck with better wear patterns and less de-lamination from foot pressure. Round fibers cannot match flat fiber adhesion.

Reduced Weight
Round woven fibers create large voids that fill with resin during the lamination of the board. Large voids + more resin = increased weight. In comparison, flat woven fibers hold less resin when laminated. Less voids + less resin = reduced weight.

Increased Performance
The ‘X’ pattern created by the 45 degree orientation of the fibers in Biaxial Fiberglass controls twisting from nose-to-tail when the board is under increased load. Biaxial Fiberglass also provides more drive and speed through faster flex memory.

Surfboards constructed in PE, SLX and FutureFlex technologies can be found in GSI’s range of 7S, McTavish, Meyerhoffer, Walden, Stewart, Aloha and Haydenshapes surfboards.

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AN INTERVIEW WITH TIM BAKER – author/surf journalist

TimBaker Banner

Tim Baker is a well know Australian author and Surf Journalist. His works include: “Bustin’ Down The Door”, “High Surf” and “Occy”. He is a former editor of Tracks and Surfing Life magazines, has twice won the Surfing Australia Hall of Fame Culture Award and his work has been published in many magazines including Rolling Stone, Surfing Life and Surfer’s Journal.

Tim’s latest book “Surfari” documents the fulfilment of his life long dream to drive around Australia on the great Australian surfing road trip. We spoke to him this week about his book and life after being on the road…

TimBaker MontageGSI: Before we talk about the book tell us how one grows up in Blackburn (Suburban Melbourne, Australia) and becomes a surf obsessed surf journalist?
TB: This is potentially a long story, but I’l try and keep it brief. As a kid, my family lived in Canada for two years and on the trip back to Australia we stopped off in Hawaii for a week. I was only eight but my oldest brother was 12 and he had surf lessons. We stayed at what was the Kui Lima Estate, now the Turtle Bay Hilton, at the north-eastern end of Oahu’s North Shore. I’ve only realised recently, doing the maths, that we would have been there in 1973 around the same time the first generations of Australian pro surfers – Rabbit Bartholomew, Ian Cairns, Peter Townend, etc – were staying their on their early trips to the North Shore. The fact that I ended up writing Rabbit’s biography seemed somehow fated. When I went to Hawaii as a surf journalist I stayed at the Turtle Bay once and had this weird feeling that I’d been there before and then eventually put the pieces together.

Anyway, my brother caught the surfing bug then and when we returned to Melbourne we’d holiday at Flinders on the Mornington Peninsula (Victoria, Australia) or Perth (Western Australia), where my grandparents and aunts and uncles lived. My earliest surfing memories are on a foamie at Cottesloe in Perth. With two out of three sons keen on surfing, a lot of family holidays were at the beach. IN high school, my best friend’s family had a beach house at Phillip Island so we’d get there any way we could – the public transport marathon by train, bus and ferry, hitch-hiking, begging rides from older siblings and parents. It gave me a real appreciation of surfing and the beach because I always had to work to get there and had had an adventure before I even paddled out. I moved to Sydney to work for Tracks when i was 21, then to the Gold Coast to work for Surfing Life five years later and have lived by the beach ever since and surfed at every opportunity. I think because i came to it relatively late, never had the ocean on my doorstep as a kid, I have retained a freshness of appreciation for it and the sheer good fortune of having the ocean and surfing as a part of your life feels like a great gift.

GSI: Tell us about your new book ‘Surfari’.
TB: Australians have always been enamoured with the idea of “the Big Lap” – but most wait until they are retirees, the dreaded “Grey Nomads,” as reward for a lifetime of toil, paying taxes, and raising kids.

I didn’t want to wait until I was old and grey and unable to surf the multitude of mind-boggling waves scattered around our vast coastline. I wanted to do it while I was still young enough to surf at a reasonable level and the kids were still young enough to pull out of school for a year without damaging their education.

The result, while often challenging, was probably the greatest surf trip of my lifetime – and I say that as someone who has spent much of his adult life surfing and traveling around the world, writing as I go.

From the frigid environs of Tasmania and the empty isolation of King Island, the madness of Easter at Bells and the splendor of the Great Ocean Road, the mystical desert camps of South and Western Australia, this is a country with endless empty coastline. Australia is the size of the USA, only slightly smaller than continental Europe, with just 20 million souls to enjoy it. I was amazed how often I surfed alone.

Surfari is a book about our adventure covering nearly 20,000 miles over eight months with a family of four, six surfboards and a caravan…

GSI: How has it been settling back into ‘normal’ home life since you got back from the trip?
TB: I’ve actually found it really difficult. There is a good reason most people wait until they retire to do a trip like this – having tasted freedom it is hard to knuckle down to the work routine again but I think it just means I have to find ways to keep the dream alive, to do what I love and be prepared to live a slightly unconventional life to allow the kind of lifestyle I aspire to. On the road, just waking up each day and making it up as you go, pulling out a map and choosing your next destination, just really agreed with me. I’ve never felt fitter, healthier, more alive. I think deep down the nomadic lifestyle really resonates with something in our DNA.

GSI: Now that you are home how often are you getting in the water?
TB: Never as often as I’d like, though the recent two weeks in the Mentawais has really helped. I’m 47 and as I get older I don’t need to surf as much or as often and going away for a two week wave binge is a pretty good option just to get my fill, and trying to build in the freedom to just drop everything at home and surf when the waves are really good. But I also find I need to keep up my fitness more as I get older too, and if I don’t surf for too long it is easy to lose condition. Twice a week is probably my average but I get a bit picky. Ideally I’d like to get in the water every day, however briefly.

GSI: Are you working on another book?
TB: I’m just finishing the great unfinished novel, called Flow, about a fictitious surf mogul who goes through a kind of spectacular mid-life crisis, realising his business empire has, ironically enough, obscured his connection to surfing and embarks on a quest to redeem himself. I plan to self-publish it as an ebook as a bit of an experiment to see if there’s a market for surf fiction. I’ll be posting updates and extracts on my website: www.bytimbaker.com

GSI: Tell us about your favourite wave or session.
TB: That is so hard to pin down. On our trip round Australia, is was possibly on the Victorian west coast on the Easter/Anzac Day long weekend. On the Easter Sunday I had been at the Rip Curl Pro in a crowd of 10,000 people watching the final. Less than 48 hours later, 100 km to the west, I surfed perfect breachbreaks alone. It really showed me how much empty surf there is in Australia and you only have to look and be prepared to take the path less travelled to find uncrowded waves. That and the SA desert coast, which is notoriously sharky but has so much amazing, empty surf. In my entire life, there have been days at the Coolangatta pointbreaks that are mind-boggling, tubes peeling for 500 metres, three tubes on one wave but of course crazy crowds. A recent trip to the Mentawais staying at the Kandui Resort included some of the best surfs of my life.

GSI: Here at GSI our mantra is ‘Life is better when you surf ‘. How does that statement resonate with you?
TB: Absolutely. I feel clearer, fitter, more on top of things if I am getting in the ocean on a regular basis. I feel better even just knowing what the wind, swell and tide are doing, like I am tapped into the natural rhythm of things more if I stay tuned into these cycles. But I also aspire to a well-rounded life. I think some surfers try and pursue surfing at the exclusion of all else and they can miss out on a lot. Surfing is a like a fuel you can use to drive you on in other areas of your life I reckon. It’s all about balance I reckon.

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COCONUTS IN SURFBOARDS??

One of the lightest and strongest natural fibres is that found in the Coconut Husk.  In a real innovation to surfboard technology NSP has developed a proprietary, patent pending manufacturing technique that has raised the bar on the strength to weight ratio relationship immensely.

By using Coco Mat fibres sandwiched between two layers of fibreglass and epoxy resin Coco Mat creates outstanding strength without the expense of weight.  In laboratory and surf testing it is proven to be around 50% stronger than other popular and already strong sandwich constructions.

The first lab tests of Coco Mat yielded results so far in excess of expectation the engineers were sure there was some kind of mistake.  They scrapped the tests and started again.

Next test:  same results.   Here was a readily available, renewable, environmentally friendly material that requires next to no processing that at the same time is lighter and stronger than all but the most extreme (and expensive) constructions.

In the surf Coco Mat boards were firstly sent to team riders in Hawaii.  The feedback came back that these boards were lighter than anything they had felt before, had amazing flex and no matter what they tried the boards stayed in one piece without damage.

Coco Mat has an amazing aesthetic, mind blowing physical properties and is one of the most sustainable materials used in surfboard construction to date.  We feel that a surfboard that lasts longer and is made from materials that are kinder to the earth is a win for everyone.

Chris – NSP Product Manager

Checkout the GSI range of NSP Cocomat Surfboards on our web site

 

 

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Corey Davis explains what the new PE construction is all about.


We just launched our new PE construction, it is an elegant upgrade to traditional polyurethane boards that you can clearly see and feel.

PE boards use our specially formulated Ultra Bright epoxy resin, which has two major benefits. The boards are stunningly whiter and will stay white longer. They have a quality look and glow that other boards don’t have. You have to hold it up to another new board to believe the difference. Take it into the sun for the full effect but make sure you are wearing sunglasses, even on an overcast day.

The whiteness isn’t where the real magic is, it’s only a side benefit. What is really impressive about our new PE boards are things you can only feel – the mechanical properties of the layup.

Imagine two identical boards with identical layups, i.e: the same glassing. The only change is that one resin (called the “matrix” in composite engineering) is Ultra Bright resin. The competing matrix is the top name brand polyester. If you apply identical foot pressure to each layup, until the deck lamination failed, you can measure the fatigue strength, of the resin. We did this with use testing machines to measure “cyclic loading”. With repeated cyclic loading we can measure each resin’s performance accurately to failure. What we found was the top polyester fails after about 200,000 cycles – we thought that was pretty good, however, our Ultra Bright resin fails at 1,000,000 cycles. That means that a PE board will feel new and alive up to 5 times longer than an identical board built without the Ultra Bright resin.

The failure of the matrix is the result of fatigue. Fatigue is the result of micro cracking. Resins with low elongation fatigue much faster as they cannot stretch or flex and return for very long. Each time a load cycle takes place, the resin is stressed, and micro cracking begins. With each cycle, more micro cracking occurs and performance takes a dive. You know the feeling because you know that the board has lost its “liveliness” or feels ‘dead’. Our boards constructed with Ultra Bright have higher elongation and toughness. They are able to flex and return thousands of more cycles, making them fell new and lively for much longer.

The flex and longevity are awesome by themselves but when you consider that we take it another step, PE construction is a huge upgrade. With Ultra Bright alone we have a performance board that lasts longer but feels familiar from wave one. To go even further, we added improved glass fibers that bond better and improve the direction the board flexes to increase drive.

If you look closely at a PE board you can see tip to tail stripes and small lines at 45 degree angles across the board. This is the flat weave stitched biaxial glass, layed up directly on the core. Our biaxial fibers are at +/-45 degrees across the board. In a bottom turn the flex is directed tip to tail and the twist is minimized because of the fiber orientation. Less twist equals more drive. And, because our biaxial fibers are flat and not round, there is less matrix between the glass and the core. So the bond is much greater. With flat fibers directly on the foam, we have a greater glass to resin ratio, which equals a better bond. To the surfer this means there is less weight, and greater “point load” resistance.

We are pretty excited about this new construction. Visit our web site to view our range of PE boards by 7S, Haydenshapes and Aloha. And be sure to check them out your local dealer.

Corey Davis
Product Manager
Global Surf Industries

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NSP SUP Race Team

Global Surf Industries is looking for team riders for our newly formed NSP SUP Race division in Australia and the USA. If you enjoy SUP racing and would like to get team prices on NSP 12’6 Race boards and Trident Carbon Paddles send an email outlining where you are from, the races you have gone in so far and way you would like to do in the future.

Send it to: team@surfindustries.com, we will get back to you within a week or so.

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What does Volume mean?


You will have noticed that a year or so ago we started adding the volume of each board to the specs, so you can get a feel for how buoyant the board is. Buoyancy is really underrated in surfboard design but is one of the core fundamental necessities when you are paddling for a wave. Recently I was introduced to a surfer by the name of Whitney Guild who has written an article or two on the subject and even presented at one of the Scared Craft shows on the subject. With Whitney’s help we are building a functional program within our website to allow you to find the right board for both your weight, style of board and your current ability. All that should add up to a higher wave count and more fun.

Here’s Whitney’s letter.

VOLUMETRICS
by Whitney Guild

Letter to Surfboard Builders:
I’m writing because I’ve come up with what I think is a new and very important aspect of surfboard design. VOLUME RATIO TO RIDER WEIGHT. Most of you are using a CAD program to help design your boards and can provide volume numbers on your different designs.

I was at the “Sacred Craft” surfboard show in October 2009 and gave a seminar on Volume and how it relates to your quiver.  Shortboard, funboard, longboard or SUP.  I can e-mail you more info on my seminar.  I had my volume tank at the show and was able to measure the volume of over 40 boards.

What I have come up with is a certain aspect of surfboard volume and how it relates to your body weight. In the metric system, 1 liter floats 1 kilogram of weight.

Usually a shortboarder will want around 33 to 35% of his body weight in board volume.

A longboarder will want a 1 to 1 ratio or 100% of his body weight. (hi performance longboard 90%) That’s what I ride.

SUP board for Beginners, 2 x your body weight. Intermediates 1.7 x and  Expert SUP rider, 1.3 x their body weight. (the Guild Factor)

I believe this aspect of understanding volume will really help customers dial in the right board for themselves, especially for new surfers and SUPers.

Examples:  Jamie O’Brien rides a 6-1 at 27.5 liters, he weighs 81 kilos so he’s riding 34% of his body weight.  I weigh 80 kilos and my longboard is 72 liters= 90%, my SUP is 106 liters which is 130% of my body weight.

In Volumetrics 1 liter floats 1 kilogram of weight.

If you would like to discuss this concept more, or have me measure your boards in my volume tank, please contact me at the number below or drop me an e-mail. WHITGUILD@HOTMAIL.COM

Aloha
Whitney Guild

Posted in Surfboard Designers, Surfboards, surfing | 1 Comment

Life is better when you surf®


What the simple act of riding a wave can do for all of us.

On the surface, surfing is no different from any other sport. Surfing is a competitive, athletic activity that takes practice and physical conditioning to active success. Like other sports, surfing has a list of rules, a playing field and worldwide organisations dedicated to staging contests for all levels and ages. Now even a computerised system that makes it possible to quantify how ‘good’ one surfer is in comparison to another. However, that is only one layer of the complex nature of surfing.

Surfing is also an art. The metaphor goes like this: the board is the brush, the wave is the canvas and the surfer is, of course, the painter. Like in art, each artist is unique. Each stroke of the brush is an expression of an individual style, mood, and life experience. Most Artists argue that true art can not be judged, nor can it be calculated or even categorised. So are you sensing a bit of a problem here?

To muddy the definition further, surfing is a lifestyle that carries with it a style of dress, a regional and global dialect and even an almost fanatical, life encompassing dedication to finding the time to ride waves. While the stereotypical image of the ‘surfer dude’ is now only in movies and cheesy TV ads. People who transcend from recreational surfer to a life long waterman or woman have a tendency to put the pursuit of good waves above most all else, making they intense dedication seem almost religious.

So to try and summarise what it is to be a surfer, we need to take into consideration that a surfer might be competitive or artistic or might even live and breathe the surfing lifestyle like a monk would to their commitment. Factor in that surfing is a worldwide multi-million dollar industry that produces clothing, accessories, movies, travel packages, surfboards of all kinds as well as a long list of consumables it boggles the mind. So how can we define what it is to be a surfer? Are you in it for the exercise, the competition, the artistic expression, the coolness factor or what?

The bottom line is that none of this matters. Surfing is about the interaction between you and your board, you and the ocean, you and your friends and people you meet along the way, the places you find, the smell of the wax and the experience that everyday is a very different day. Surfing’s essence is found in that first time you stand on a board and for the dreams all night about that moment and the waves you saw. It’s the energy the rush, the tight smile across your face. Surfing is about traveling to other places and countries in search of waves, meeting surfers from other cultures realising that they are like you. We, as surfers, all want to the same things regardless of the colours, sizes, incomes or geographical locations we come from. We just want to ride the waves and can’t remember what life was like before we became surfer. We come to the realisation that life is better when you surf, whether it’s everyday, once a week or once a month.

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Riklove competes in the ASP World Masters

Former World Tour surfer Richie Lovett has just returned to Australia after competing in the ASP World Masters in Brazil. It has been seven years since the event was last run and the first major event Richie has surfed in since his battle with cancer 5 years ago.

Richie proved that even with a prosthetic hip he can still manage to mix it with the best of them beating both Luke Egan and Mark Occhilupo and placing the single highest wave score of the event.

Continue reading

Posted in Aloha Surfboards, Surfboards | Leave a comment

Ozzie Wright surfs a Tuna!

Well known surfer Ozzie Wright put a Tuna through it’s paces yesterday. Running down from his beachside crib at Bungan, on Sydney’s Northern Beaches,  Ozzie was not sure what to expect from a board without fins. This footage was shot from his backyard and every wave he took off on is in this edit. Enjoy!

Posted in Finless, Surfboards | Leave a comment

Team Riders wanted.

Tom Wegener and Global Surf Industries are looking for 25 Team Riders in the USA and Australia to join The Seaglass Project’s stable of Team Riders.

If you would like to be considered to be part of the team please write to Tom Wegener and let him know all about yourself, why you want to be part of the team, where you live, where you surf, what you ride now and why you should be considered the right person for the role as an ambassador for The Seaglass Project and join the finless revolution.

Send the following details to: tom@tomwegenersurfboards.com

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